#0.2 Workshop

18 March
2.30-5pm

(Video available soon)

#0.2 Workshop marks the middle point of IT IS PROBABLY BETTER TO START FROM ZERO. It aims to be a point of discussion and exchange between curators and artists, touching upon relevant aspects of the project and its outlines. It intends to take stock of the project and its development, and to understand how questions of unpredictability, production, time, space and collaboration will have an impact of the continuation of the project and return of each artist to the Window Space, for a second display. This is a closed doors event held at the Whitechapel Gallery, London, streaming live from 2.30pm-5pm.

#0.2 counts with the presence of Miriam LaRosa, co-curator of LIMITACTION, that ran from January to July 2015 at the Window Space. It was a collaborative project that developed in the form of an artistic residency with the artist Charlotte Warne Thomas, aiming to transform the Window Space in an artist studio. Miriam comes to the workshop to give her input on the project from the position of someone who is familiar with the space and its challenges.

Miriam La Rosa (Palermo, 1988) is an independent curator based in London.She holds an MA in Curating the Contemporary from London Metropolitan University and Whitechapel Gallery, London, a Master of Museology from the Reinwardt Academy, Amsterdam, and a BA (Hons) in Art History from the Università Cattolica del Sacro Cuore, Brescia. She is head of submissions for the online platform CtC and has worked in the Education, Public Programmes and Exhibitions departments of institutions such as Whitechapel Gallery, London (for the exhibition Rivane Neuenschwander, The Name of Fear), Stedelijk Museum, Amsterdam (for the exhibition International ZERO Network, 1950s-60s) and Van Abbemuseum, Eindhoven (for Sheela Gowda: Open Eye Policy and Piero Gilardi - Samen Werken). Recent projects include: the artistic and curatorial residency LIMITACTION (Window Space, London), collaborations with artist-run spaces BOCS, Catania, and Five Years, London, the reactive project dontdrinkthemilk and the exhibition FRAGILE (Galleria Upp, Venice)